Prizewinning performer Ben Bloor makes his debut recording on the iconic instrument with which he is so well acquainted: the Walker organ of the London Oratory, designed by Ralph Downes in 1954. The carefully constructed programme is one close to his heart: music centred around Gregorian chant, and takes in a liturgical year of plainsong-based works from 20th- and 21st-century France, Germany and England.
The Choir of Westminster Cathedral is the crowning jewel of Catholic church music and has been at the forefront of English sacred music since its foundation in 1901. This new disc draws us into the mystery of the Paschal Vigil, the very apex of the Church’s liturgical year, transporting us on a journey from darkness into light through a sequence of plainsong and polyphony.
Marking the hours of the day by praying the Angelus is a tradition dating back to the eleventh century. By the late nineteenth century, this devotional prayer was given musical life in Louis Vierne’s triptyque for voice and organ of the same name, whose first and last movements’ timeless quality is imbued with the repetition of the tolling Angelus bell hidden within the accompaniment…
Flor Peeters was one of the most significant Catholic composers of the twentieth century, whose deeply spiritual œuvre incorporates elements of Gregorian chant and Renaissance polyphony. This recording celebrates his Latin choral music, a perfect assimilation of the motu proprio of Pope Pius X in 1903, which was unjustly neglected following the Second Vatican Council but is now sung in both Catholic…
The name Dom Sebastian Wolff is synonymous with the music of Buckfast Abbey. Born in Ireland in 1929, Fr Sebastian became a monk of Buckfast in 1948, and has crafted a considerable oeuvre of music including settings of the Mass, responsorial psalms for the complete three-year cycle, and a Requiem. However, it is perhaps the organ which provided his greatest compositional inspiration. In this, the first recording…
Peter Stevens plays works by three towering figures of the French organ world. Charles-Marie Widor’s Symphonie Romane is a radiant meditation on the Gregorian chants of Easter Sunday, and the Fantaisie-Choral from Tournemire’s L’Orgue Mystique is a deeply spiritual reflection on two of the best-known chants of Pentecost: Veni Sancte Spiritus and Veni Creator Spiritus. Two contrasting pieces by Marcel Dupré bookend the…
The Choir of Buckfast Abbey presents music for the Mass of Christmas Day. Weaving between the Gregorian chant propers are George Malcolm’s evocative Missa ad Præsepe (Mass at the Crib), and traditional carols and festive motets. The much-loved hymn Adeste fideles opens the Mass, progressing from the original plainsong melody through to a dramatic new arrangement of the penultimate verse, epitomising the joy of the Incarnation.
The Choir of Royal Holloway presents the debut recording of Pierre Villette’s Messe Da Pacem in a new arrangement for choir and organ by Rupert Gough. Alongside the Mass is Villette’s well-known Hymne à la Vierge, and works by contemporary Parisian composer Yves Castagnet recorded here for the first time. The album opens with a new choral arrangement of Ravel’s ever-popular Pavane pour une infante défunte. The Choir is joined by alumna, and award-winning soprano, Sarah Fox, and accompanied on the newly restored Cavaillé-Coll organ of Notre-Dame d’Auteuil in Paris.
The Choir of Buckfast Abbey presents music for the First Vespers of Our Lady of Buckfast, the Abbey’s patronal feast on 24 May. The Gregorian chant of the Monastic Rite is interspersed with glorious polyphonic works by Felice Anerio, William Byrd and Francisco Guerrero, culminating in the splendid Magnificat Octavi toni by Tomás Luis de Victoria. A thrilling new arrangement of the traditional devotional hymn Hail, Queen of heaven is the climax of this joyous service. Full use of the tonal capability of the Abbey’s Ruffatti organ is made throughout, with a number of liturgical improvisations.
The Choir of Westminster Cathedral is world famous for its staple of plainsong and polyphony. The choir explores a wealth of music from this repertoire for the richest of liturgical seasons: Holy Week. Masterpieces of the Renaissance by William Byrd and Tomás Luis de Victoria are woven together with ancient Gregorian chants, including Pange lingua and Adoro te, and later penitential works by Anton Bruckner and Maurice Duruflé. Three of the Cathedral’s illustrious Masters of Music, all of whom have contributed to the Church’s treasury of liturgical music, are also represented. The sequence culminates in a setting of Saint John Henry Newman’s poem Praise to the Holiest in the height by Richard Runciman Terry, the Cathedral’s pioneering Master of Music.
Martin Baker plays works selected from his inaugural concert on the acclaimed new organ of Buckfast Abbey. This magnificent instrument – the largest in the South West of England – was the first built in the United Kingdom by the renowned Italian organ builder Fratelli Ruffatti. Martin’s programme opens with music by Dom Sebastian Wolff, the Abbey’s long-serving monk, composer and organist. Other works explore each nuance and tonal variety of this innovative instrument, located in both the Quire and West Gallery of the Abbey Church. The recital culminates in Martin’s own organ transcription of Mussorgsky’s evocative Pictures at an Exhibition.