Marking the hours of the day by praying the Angelus is a tradition dating back to the eleventh century. By the late nineteenth century, this devotional prayer was given musical life in Louis Vierne’s triptyque for voice and organ of the same name, whose first and last movements’ timeless quality is imbued with the repetition of the tolling Angelus bell hidden within the accompaniment…

Flor Peeters was one of the most significant Catholic composers of the twentieth century, whose deeply spiritual œuvre incorporates elements of Gregorian chant and Renaissance polyphony. This recording celebrates his Latin choral music, a perfect assimilation of the motu proprio of Pope Pius X in 1903, which was unjustly neglected following the Second Vatican Council but is now sung in both Catholic…

The name Dom Sebastian Wolff is synonymous with the music of Buckfast Abbey. Born in Ireland in 1929, Fr Sebastian became a monk of Buckfast in 1948, and has crafted a considerable oeuvre of music including settings of the Mass, responsorial psalms for the complete three-year cycle, and a Requiem. However, it is perhaps the organ which provided his greatest compositional inspiration. In this, the first recording…

Peter Stevens plays works by three towering figures of the French organ world. Charles-Marie Widor’s Symphonie Romane is a radiant meditation on the Gregorian chants of Easter Sunday, and the Fantaisie-Choral from Tournemire’s L’Orgue Mystique is a deeply spiritual reflection on two of the best-known chants of Pentecost: Veni Sancte Spiritus and Veni Creator Spiritus. Two contrasting pieces by Marcel Dupré bookend the…

The Choir of Buckfast Abbey presents music for the Mass of Christmas Day. Weaving between the Gregorian chant propers are George Malcolm’s evocative Missa ad Præsepe (Mass at the Crib), and traditional carols and festive motets. The much-loved hymn Adeste fideles opens the Mass, progressing from the original plainsong melody through to a dramatic new arrangement of the penultimate verse, epitomising the joy of the Incarnation.

The Choir of Royal Holloway presents the debut recording of Pierre Villette’s Messe Da Pacem in a new arrangement for choir and organ by Rupert Gough. Alongside the Mass is Villette’s well-known Hymne à la Vierge, and works by contemporary Parisian composer Yves Castagnet recorded here for the first time. The album opens with a new choral arrangement of Ravel’s ever-popular Pavane pour une infante défunte. The Choir is joined by alumna, and award-winning soprano, Sarah Fox, and accompanied on the newly restored Cavaillé-Coll organ of Notre-Dame d’Auteuil in Paris.