The early twentieth century was a period of enormous innovation and inventiveness in French organ music. On his début album, Charles Maxtone-Smith brings together some of its finest treasures by three titans of the organ repertoire, namely Louis Vierne, Charles Tournemire, and Maurice Duruflé, making full use of the resources of Buckfast Abbey’s Ruffatti instrument. Vierne’s tumultuous Cinquième Symphonie explores chromaticism through his vivid imagining of two overarching themes which coalesce at the end into a triumphal conclusion. Charles Tournemire evokes the beating heart of French mysticism with his sensuous colour and harmony in an improvisation, later transcribed, on the Marian hymn Ave maris stella. Vierne’s carefully controlled musical forms and Tournemire’s evocative expression are synthesised perfectly in the Maurice Duruflé’s Prélude, Adagio et Choral varié, whose earth-shattering beauty and power celebrates the coming of the Holy Spirit at Pentecost.
Released on Friday 21st August – pre-order now for release date delivery.
Louis Vierne
Symphonie No. 5 en la mineur
42:41
1
Grave
7:58
2
Allegro molto marcato
7:55
3
Tempo di scherzo ma non troppo vivo
4:28
4
Larghetto
11:39
5
Final
10:41
6
Charles Tournemire
transc. Maurice Duruflé
Fantaisie-Improvisation sur l’Ave maris stella
(Cinq Improvisations)
10:42
7
Maurice Duruflé
Prélude sur l’Introït de l’Épiphanie (Op. 13)
2:04
Maurice Duruflé
Prélude, Adagio et Choral varié sur le thème du 'Veni Creator', (Op. 4)
21:25
8
Prélude
8:26
9
Adagio
6:54
10
Choral varié
6:05